If there is something you'd like to apply to a video, you can save a recipe (as long as there are no vignetes, sharpening, etc. I found to be useful to mark the favourite effects (yellow star) so they're easier to locate. in Pro-contrast the effect is not activated unless you create either "+" or "-" u-points. Also U-points behave differently depending on filter, e.g. ![]() You can export your recipes and backed them up, shared them, etc. basically there's no way of creating a U-point "memory". When you save a recipe, U-points are not saved with it. Whenever I say u-point I mean control points, I'm used that way these points behave a bit like add or/and subtract circular gradients' masks (with selectable ratio/size and transparency/power) but they also are very sensitive to where they're placed, a bit like a spot light (mimicking a 3D behaviour) within the confinement of a 2 space. In Dfine the more manual noise's patches you select the better the results, BIG difference, it's also worth tweaking the advanced controls. Mind you some things: when you save the image in standalone mode it will overwrite the original, so better make a copy beforehand. The Ghost Reference Image will only become active after you have turned on Ghost Reduction.Some good introductions by Northlight Images With the available tools, you can determine which position to show that moving object, based on the different images found in the image series.Ĭheck the Ghost Reduction checkbox to turn on the ghost reduction algorithms in HDR Efex Pro 2. When merged together, the moving objects may be semi-transparent or may be only partially formed. It is normal for an image that requires alignment to be slightly smaller than any one individual image from the series. Without taking any steps to address this movement, the resulting image can have strange artifacts in which objects may appear twice or more in the image, or have strange edges around each object.Ĭheck the Alignment checkbox to turn on the alignment algorithms and reduce any potential alignment artifacts. To determine all of the issues, hover over the warning signs located on the thumbnail images, and tooltips will appear explaining what is occurring. The issue will be explained in this area however, if there are multiple issues for the loaded images, only the most problematic will be explained here. If an issue arises, a warning icon is shown in this area as well as on thumbnail images. You can also access the Merge dialog by clicking on the Merge Settings button found at the top of the History Browser. In order to prevent tone mapping the image a second time, make sure to select the Exposure and Gamma option from the Method drop down menu. If it is desired to maintain the ability to modify the image further, it is recommended to save a 32-bit version of the image as a Smart Object prior to converting to 8- or 16-bit.Ĭlick OK to accept the warning and then click on the Merge button. ![]() Once the image is converted, the image will no longer be a Smart Object. In order to save the image into popular image formats such as a JPEG or TIFF file, the image must be converted into either the 8- or 16-bit per channel mode. It is important to note that 32-bit per channel images can only be saved in certain file formats. This ensures that the full range of detail is retained and makes it possible to adjust the tone mapping settings without any loss of color or tonal detail. When HDR Efex Pro 2 is applied as a Smart Object, the image stays in 32-bit per channel and settings and adjustments can be modified at a later time, even after the image has been saved and closed. Analog Efex Pro 2 Presets Full Range Of.
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